Illuminate Women's Music
  • Home
  • About
    • Illuminate
  • What's On!
    • Support Illuminate Women's Music
    • Illuminate 2022 concerts
    • Illuminate Video premieres
  • Illuminate 2021 artists
    • Illuminate 2021 Artists Season I
    • Illuminate Season II Artists 2021
  • Illuminate Blog
  • Past Illuminate Women's Music series
    • Whats on 2021 Season I and II
    • 2020 Season I Artists
    • Digital artists >
      • Digital series - What's On
    • Illuminate at RCM 2020
    • Illuminate Extra at Nottingham!
    • Illuminate 2019 Season II concert series >
      • Illuminate at RCM 2019
      • 2019 Season II Artists
      • 2019 Season II What's Was On!
      • Season II Composer interview videos
    • Illuminate 2019 Season I Concert series >
      • 2019 Season I What's Was On!
      • 2019 Season I Artists
      • Gallery of 2019 Season I concerts
      • Season I 2019 Video gallery
    • 2018 Illuminate touring concert series >
      • Performers (2018)
      • Composers (2018)
      • Gallery of Illuminate 2018 concert series
      • Videos from Illuminate 2018 concert series
      • 2018 - What Was On!
  • Contact
  • Digital concert on 20th November
Picture

A blog series on women composers from the past and present

Picture

Light: A Mother’s Journey- Sabrina Peña Young

6/7/2021

1 Comment

 
Picture
Mozart never had to worry about morning sickness. In 2008, around drinks and celebrating a recent premier of my work by the Millikin University Percussion Ensemble, Choral Music Director Michael Engelhardt and I brainstormed musical ideas around choir and electronics and percussion. That impromptu brainstorm led to a commission for the Creation Oratorio, a multilingual intermedia work for chorus, percussion, keyboard, tape and computer animation. 
 
The musical sketches, birthed from the creation myth and other sacred texts, combined Afro-Cuban rhythms with my characteristic (and sometimes creepy) electronic tracks and full women’s choir. I envisioned a work a full hour or more in length, accompanied by complex computer animation and surreal imagery. 
 
CREATION ORATORIO HIGHLIGHTS


Fate has a twisted sense of humor. 
 
Shortly after I began working on the oratorio I became pregnant with my first child. I was ecstatic! A daughter! However, what I didn’t know was that, like my mother and my Abuela, I suffer from extreme hyperemesis gravidarum. What this meant was that I found myself much more often than not, in fact up to ten times a day, vomiting. The time in between spent sipping Ginger Ale and munching on crackers and vitamin drinks to keep baby and I alive. And if that sounds horrible and a little gross, it is much worse than you can picture. 
 
At the time I was an adjunct music professor. I spent time between classes trying to keep food down. I lived only five minutes from campus but even that was too far, and I often spent hours a day inert in bed watching mindless TV shows to keep my mind off nausea and pain. 
 
But I had an oratorio to write. 
 
The bulk of my musical process takes place in my mind. When writing a new work I often immerse myself in music and thought for months at a time. I write film scores, too, and will find like minded artists to listen to for inspiration. I let the notes I hear inform the notes I create. Experimentation and improvisation play a key role. I jot down chicken scratch sketches on paper, using graphic notation indicating melodies, timbres, sound synthesis, and vocalizations. 
 
TED TALK ON OPERA AND TECHNOLOGY
​
​I often worked for hours on the oratorio, transferring my musical ideas into Finale. I would improvise on a Malletkat I got from Pauline Oliveros, from when I interned at the Deep Listening Gallery. My cat would wrap around my legs as I played, sometimes jumping on the keys and scratching at them mercilessly trying to catch the flying mallets. My cat didn’t like the Malletkat much.
 
The child forming inside of me began informing the music I wrote. I saw parallels between the formation of life from a void in the mysteries happening within my own body. What did she look like? What was she doing? It was mysterious to me, and in some ways, a miracle. My younger self never thought I would be in a place in life where bringing a child into the world would be welcomed. Yet here I was, a living vessel for a miracle. In the same way, Creation stared so small as a speck of an idea and morphed into a massive musical masterpiece. 
 
As a Latina and a concert percussionist I often think in terms of the rhythm and timbre of my youth. The complex polyrhythms I heard growing up in South Florida have left indelible impressions on my musical psyche. Decades of drumming and technology give me a musical ear that parses out sound in terms of timbre and syncopation and dissonance, married to sound synthesis and electroacoustic experimentation and embracing the broad global diaspora. Creationincorporated African drumming ensembles and complex polyrhythms echoing the sounds of Cuba and West Africa, familiar rhythms from the ancient past. 
 
The computer animation I created morphed fetal images from the womb with nature and the female form. I created a kind of sacred ballet with almost alien like silhouettes moving to the music in a sea of surreal space. An experimental video artist and filmmaker, my visual works often seem like out-of-this-world “moving paintings”, with even my narrative works having a distinct look and feel to them reminiscent of a life obsessed with early works in science fiction, suspense, and horror cinema. 
Picture
​By the time I was finishing the final notes of the oratorio, I had given birth to my beautiful girl Eva Rose. Eva meaning “Eve” or “first woman” in Spanish and in Danish, the languages of my spouse’s and my predecessors. I sampled my child’s young cries and added them to the first Movement, tiny newborn strains echoing in the animated firmament. 
 
In the end the Creation Oratorio premiered to a packed hall, performed by the Millikin University Women’s choir and Millikin University Percussion Ensemble. The work later won the New Genre Prize from the International Alliance for Women in Music, with excerpts from the larger composition remaining some of my more popularly performed compositions like Light, an homage that in some ways is a cosmic love song. 
Picture
The journey of a composition often begins much like life – a tiny invisible formless thought that evolves into a beautiful creation. 
 
Since the Creation Oratorio I have had the opportunity to explore music and animation in extraordinary ways, from my animation science fiction virtual opera Libertaria to the Malletkat Fantasy Destiny: Eondwyr, to dozens of film scores and video projects. It has been an incredible journey. My art delves into a world of science fiction, technology, and rhythm – combining them into often epic sonic explorations. 
:
​During the pandemic year I admit that trying to simply survive has taken precedence over musical creation. Yet, as performers, composers, artists, and filmmakers emerge from the shadows again, ready to create, I look forward to a Renaissance of new music and art as humanity learns how to live again. 
 
Download the score for Light: https://www.sheetmusicplus.com/title/light-for-soprano-and-piano-digital-sheet-music/21704395
 
ARTIST WEBSITE: 
https://sabrinapenayoung.wordpress.com/
 
TED TALK: 
https://www.youtube.com/watch?v=WfIDbnsua04
 
SCORES: 
https://www.sheetmusicplus.com/publishers/pena-young-publishing-sheet-music/3008384
 
FREE SCORES: 
https://imslp.org/wiki/Category:Young%2C_Sabrina_Pena
 
BIO
Award-winning Latina composer best known for her futuristic animated opera Libertariaand decades of women’s arts advocacy. An international leader in internet collaboration and media technology, Peña Young gave a TEDx Talk on the importance of crowdsourcing, virtual spaces, and media arts in Buffalo, New York.  Her works have been featured on NPR, Art Basil Miami, Opera America NYC, and countless venues on six continents. Recipient of the prestigious Cintas Foundation Brandon Fradd Composer Fellowship and the Lois Weber Filmmaker Award and author of the educational workbook Composer Boot Camp. Peña Young has worked in social justice with houseless populations and taught nontraditional and students at-risk for two decades before moving into digital marketing and media. A busy mom and first generation American, Peña Young has a passion for equitable education for all, regardless of zip code. Peña Young continues to create new music and works in progressive politics while pandemic schooling her young children. 
Picture
1 Comment
MckimmeCue link
4/14/2022 08:24:29 am

Great article! Thank you for sharing this informative post, and looking forward to the latest one. If you are looking for coupon codes and deals just visit coupon plus deals dot com

Reply



Leave a Reply.

    Authors


    Dr Helen Thomas
    Dr Rhian Davies
    ​Dr Laura Dallman
    ​Alex Burns
    ​Dr Gemma McGregor
    ​Sarah Westwood
    Carol J Jones
    Dr Blair Boyd
    Dr Angela Elizabeth Slater
    Laura Shipsey
    Kerensa Briggs
    Dr Kendra Leonard
    Elizabeth de Brito

    Dr Steph Power
    Lara Poe
    ​Nina Danon
    ​Sabina Pena Young
    Mason Bynes

    Composers
    Morfydd Owen
    Libby Larsen
    Lili Boulanger
    Louise Marie Simon
    Amy Beach
    Sarah Westwood
    Carol J Jones
    Arlene Sierra
    Gemma McGregor
    Angela Elizabeth Slater
    ​Clara 
    Schumann
    ​
    Hélène de Montgeroult
    ​Blair Boyd
    ​Fumiko Miyachi
    Grażyna Bacewicz
    ​
    Hilda Jerea
    ​
    Jennifer Higdon
    ​Thea Musgrave
    ​Elizabeth Maconchy
    ​
    Laura Shipsey
    Kerensa Briggs
    Caroline Bordignon
    ​Vivian Fine
    Barbara Strozzi
    Joanna Ward
    Yfat Soul Zisso
    Angela Elizabeth Slater (vid)
    Blair Boyd (vid)
    Sarah Westwood (vid)
    ​Kaija Saariaho
    Ailsa Dixon
    ​
    Charlotte Bray
    ​Angela Elizabeth Slater - blog on Suncatcher
    ​Steph Power
    Lara Poe
    ​Nina Danon
    Amanda Aldridge
    ​Carrie Jacob Bonds

    ​Sabina Pena Young
    Mason Bynes

    Archives

    December 2021
    November 2021
    October 2021
    September 2021
    June 2021
    May 2021
    April 2021
    November 2020
    June 2020
    March 2020
    February 2020
    November 2019
    October 2019
    September 2019
    August 2019
    March 2019
    February 2019
    January 2019
    September 2018
    April 2018
    March 2018
    February 2018
    January 2018

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
  • About
    • Illuminate
  • What's On!
    • Support Illuminate Women's Music
    • Illuminate 2022 concerts
    • Illuminate Video premieres
  • Illuminate 2021 artists
    • Illuminate 2021 Artists Season I
    • Illuminate Season II Artists 2021
  • Illuminate Blog
  • Past Illuminate Women's Music series
    • Whats on 2021 Season I and II
    • 2020 Season I Artists
    • Digital artists >
      • Digital series - What's On
    • Illuminate at RCM 2020
    • Illuminate Extra at Nottingham!
    • Illuminate 2019 Season II concert series >
      • Illuminate at RCM 2019
      • 2019 Season II Artists
      • 2019 Season II What's Was On!
      • Season II Composer interview videos
    • Illuminate 2019 Season I Concert series >
      • 2019 Season I What's Was On!
      • 2019 Season I Artists
      • Gallery of 2019 Season I concerts
      • Season I 2019 Video gallery
    • 2018 Illuminate touring concert series >
      • Performers (2018)
      • Composers (2018)
      • Gallery of Illuminate 2018 concert series
      • Videos from Illuminate 2018 concert series
      • 2018 - What Was On!
  • Contact
  • Digital concert on 20th November